Lecturer in Art History, University of St Andrews

Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by new critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds t...(展开全部)

Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by new critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds t...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier volume "The End of the History of A...(展开全部)

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium Appeals to people interested in artist's use of photography and in contemporary art Tracks the efflorescence of photography as one of the most important mediums for contempor...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful vo...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful vo...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier volume "The End of the History of A...(展开全部)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. "After the End of Art" presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the na...(展开全部)

Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art...(展开全部)